2
10
18
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d1c59049a51f3669fa44f1af78c3d85e
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
800
Width
1005
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
oil on canvas
Physical Dimensions
The actual physical size of the original image.
81cm x 100cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p>Giaconda, 1953</p>
Subject
The topic of the resource
<a title="Giaconda" href="http://www.mattesonart.com/Data/Sites/1/magritte/Giaconda%201953.jpg">Giaconda</a>, 1953
Description
An account of the resource
<p>Maybe you can guess, but the instant I saw this image, I thought of George Orwell's <em>Coming Up for Air</em>. While Orwell's novel actually came first, this painting shows the mundane life that George, the protagonist, was speaking of. The men in bowler hats could even be insurance salesmen. This image had to be added to show the relationship between art and writing going the other direction. Orwell predicted this painting, in a way.</p>
<p>Here's some more about <a title="Magritte" href="http://www.mattesonart.com/1949-1960-mature-period.aspx">René Magritte</a>, the painter of Giaconda, and one of the most influential surrealists of the 20th Century.</p>
Creator
An entity primarily responsible for making the resource
René Magritte
Source
A related resource from which the described resource is derived
Matteson Art
Date
A point or period of time associated with an event in the lifecycle of the resource
1953
Rights
Information about rights held in and over the resource
Menil Collection, Houston, TX
Format
The file format, physical medium, or dimensions of the resource
oil on canvas
It'sRainingMen
René Magritte
Surrealism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
oil on canvas
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sheherazade, 1950
Subject
The topic of the resource
<a title="Sheherazade, 1950" href="http://www.mattesonart.com/Data/Sites/1/magritte/Sheherazade%201950.jpg">Sheherazade</a>, 1950
Description
An account of the resource
<p>Of the novels we read from the 20th Century in Europe, the most surrealist of them was <em>Wide Sargasso Sea</em> by Jean Rhys. This painting of Magritte's reminded me of the book because of how fragmented an identity can become. First, Annette is a piece of her mother, then a piece of the convent in which she resides, then a piece of her marriage, then a piece of Rochester's English manor. Annette, though telling her story through the words of Rhys, is constantly in fragments of her own identity. She is always missing something that makes her uniquely herself. </p>
<p>Annette's mother was known for her undying beauty, which is also something addressed in Magritte's painting. Just as Annette was reduced to being a piece of something else, so was her mother. Her mother was only able to be viewed as an object, like this painting of Magritte's implies, which makes Annette's identity even mroe fragmented.</p>
Creator
An entity primarily responsible for making the resource
René Magritte
Source
A related resource from which the described resource is derived
http://www.mattesonart.com/Data/Sites/1/magritte/Sheherazade%201950.jpg
Publisher
An entity responsible for making the resource available
Matteson Art
Date
A point or period of time associated with an event in the lifecycle of the resource
1950
Format
The file format, physical medium, or dimensions of the resource
oil on canvas
identity
Surrealism
Wide Sargasso Sea
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
oil on canvas
Physical Dimensions
The actual physical size of the original image.
77.5 x 98.1 cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Wonders of Nature (Les Merveilles de la nature), 1953
Subject
The topic of the resource
The Wonders of Nature (<a title="Wonders of Nature" href="http://moreart4all.files.wordpress.com/2011/08/05-rene-magratte-mca.jpg">Les Merveilles de la nature</a>), 1953
Description
An account of the resource
This painting by Magritte, who is one of the most well-known and influential surrealists, deals with body image and identity. As we are connecting novels to higher art forms, this particular piece made me think of <em>Orlando</em> by Virginia Woolf. One cannot actually tell if the fish people are male or female, though it is likely there is one male and one female, but regardless of this, they appear to be in love. <em>Orlando</em> deals with the importance of gender in being a part of the human experience, so these two seemed very linked.
Creator
An entity primarily responsible for making the resource
René Magritte
Date
A point or period of time associated with an event in the lifecycle of the resource
1953
Rights
Information about rights held in and over the resource
Museum of Contemporary Art, Chicago: Gifted by Joseph and Jory Shapiro, 1982
Format
The file format, physical medium, or dimensions of the resource
Oil on canvas
body image
identity
Orlando
Surrealism
-
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914c003a42fe438b426cbdda8be8d690
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Androgyny, Interview with Meret Oppenheim
Subject
The topic of the resource
An interview with surrealist Meret Oppenheim
Description
An account of the resource
The author and Oppenheim discuss her views on the role of dreams and women in the Surrealist movement.
Creator
An entity primarily responsible for making the resource
Robert J. Belton
Source
A related resource from which the described resource is derived
Dada/Surrealism
No. 18 Surrealism and Women
Publisher
An entity responsible for making the resource available
The University of Iowa
Date
A point or period of time associated with an event in the lifecycle of the resource
1990
Language
A language of the resource
English
Type
The nature or genre of the resource
Journal
-
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cd65f5d29206c35809bf6af778d1e137
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2501
Width
2000
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Painting, Oil on panel.
Physical Dimensions
The actual physical size of the original image.
51 x 41 cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dream Caused by the Flight of a Bee around a Pomegranate. One Second before Awakening
By Salvador Dali
Description
An account of the resource
Example of typical portrayals of idealized women by male surrealists.
Creator
An entity primarily responsible for making the resource
Salvador Dali
Source
A related resource from which the described resource is derived
<a title="Dali Painting" href="http://www.wikipaintings.org/en/salvador-dali/dream-caused-by-the-flight-of-a-bee-around-a-pomegranate-one-second-before-awakening" target="_blank">Thyssen-Bornemisza Collection, Madrid, Spain</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
1944
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
oil on cardboard
Physical Dimensions
The actual physical size of the original image.
60.9 x 45.8 cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Surrealist Composition with Invisible Figures
Subject
The topic of the resource
<a title="Surrealist Composition with Invisible Figures" href="http://www.salvador-dali.org/dali/coleccio/en_50obres.php?ID=W0000236">Surrealist Composition with Invisible Figures</a>
Description
An account of the resource
Like most other items in this collection, Dali's painting deals with the idea of identity and body. Dali leaves out bodies completely from this composition, which forces us to look at what makes identity that surrounds us. This can be directly related to the idea presented in Woolf's <em>Orlando</em>, since the argument can be made that Orlando's gender is simply a product of the environment surrounding her at the time. While she is male, the environment made her so, and while she is female, the environment also made her so.
Creator
An entity primarily responsible for making the resource
Salvador Dali
Source
A related resource from which the described resource is derived
Gala-Salvador Dali Foundation
Publisher
An entity responsible for making the resource available
Gala-Salvador Dali Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1936
Format
The file format, physical medium, or dimensions of the resource
Oil on cardboard
Type
The nature or genre of the resource
painting
identity
Salvador Dali
Surrealism
-
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62568c11c99f16e1907763e52a2555d4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Historical impact of Surrealism on Literature
Description
An account of the resource
A preresentation of the way surrealism has impacted art form in the ninteenth-century
Contributor
An entity responsible for making contributions to the resource
Emma Fleeming
Crystol May
Andrea Rivard
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
<a title="Literary period timeline" href="http://www.online-literature.com/periods/timeline.php">Literary Period Time Line</a>
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
English translation from the first <a title="English translation of the first Surrealist Manifesto" href="http://www.tcf.ua.edu/Classes/Jbutler/T340/F98/SurrealistManifesto.htm"><em>Surrealist manifesto</em></a>
<a href="http://gsalibrarytreasures.wordpress.com/2013/08/27/surrealist-manifesto/">Surrealist Manfesito</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Surrealist Manifesto
Subject
The topic of the resource
The first <em>Manifesto of Surrealist</em> by Andre Breton
Description
An account of the resource
This writen manifesto gave a light definition and goal to the philosophical idea of surrealism.
The manifesto tries to explain the need for surrealism and why it has become (again) a way of thinking.
Andre Breton wanted to give a purpose to the importance of bringing to light superstition and myth because they are as valuable in defining truths as science.
Creator
An entity primarily responsible for making the resource
Written by :Andre Breton Translation from: Patrick Waldberg, book titled <em>Surrealism,</em> (New York: McGraw-Hil, 1971), pp. 66-75
Source
A related resource from which the described resource is derived
<p>University of Alabama</p>
<p>College of Communications and Informations Sciences</p>
Publisher
An entity responsible for making the resource available
University of Alabama
Date
A point or period of time associated with an event in the lifecycle of the resource
<p> First published in 1924, re-published five years later in 1929. Found online through the University of Alabama</p>
Contributor
An entity responsible for making contributions to the resource
Crystol May, University of Alabama, GSA Library treasures
Relation
A related resource
<a title="University of Alabama" href="http://tcf.ua.edu/">University of Alabama</a>, <a title="GSA Library Treasures" href="http://gsalibrarytreasures.wordpress.com/2013/08/27/surrealist-manifesto/">GSA Library Treasures</a>
Format
The file format, physical medium, or dimensions of the resource
htm
Language
A language of the resource
original language: French
Translation: English
Type
The nature or genre of the resource
Manifesto
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
the Surrealist Cultural Movement
Andre Breton
Manifesto
response
Surrealism
WWI
-
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e8b0e1373d66c4d1234882773173c699
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
346
Width
240
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<a title="Surrealisme et Sexualite" href="http://ecx.images-amazon.com/images/I/61zKz0yBZzL._SL500_SY344_BO1,204,203,200_.jpg" target="_blank">Surréalisme et Sexualité</a> by Xavière Gauthier
Subject
The topic of the resource
A feminist critique of the mystification of women by the surrealist movement.
Description
An account of the resource
Influenced by SImone de Beauvoir, Gauthier analyses how the female body is used as a muse and as an erotic image in surrealist art.
Creator
An entity primarily responsible for making the resource
Xavière Gauthier
Source
A related resource from which the described resource is derived
Can be found in the <a title="Gauthier in Encore" href="http://encore.unco.edu/iii/encore/search/C__SSurr%C3%A9alisme%20et%20sexualit%C3%A9__Orightresult__U1?lang=eng&suite=cobalt" target="_blank">UNC library</a>!
Publisher
An entity responsible for making the resource available
Gallimard
Date
A point or period of time associated with an event in the lifecycle of the resource
1971
Language
A language of the resource
French