1
10
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
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Andréa Rivard
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
poem
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Freedom of Love
Subject
The topic of the resource
<a title="Freedom of Love" href="http://www.poemhunter.com/poem/freedom-of-love/">Freedom of Love</a>
Description
An account of the resource
This poem by André Breton disects the female body and compares the parts to very non-bodylike things. This made me think of Breton's speaker as someone who objectifies the woman he is with, much like Rochester does to Annette in <em>Wide Sargasso Sea</em>. Rochester objectifies Annette to pieces, but does so so much that he even finds it impossible to refer to her by her own name. He begins calling his objectified wife by the name Bertha, likely because he doesn't know what else to call her. Though Breton's poem is more sexualized than Rhys's novel, the ideas expressed appear to be quite similar. Both deal with the idea of identity and how that identity is related to the body.
Creator
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André Breton
Source
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http://www.poemhunter.com/poem/freedom-of-love/
Contributor
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Edouard Rodti, translator
Language
A language of the resource
French, translated to English
Type
The nature or genre of the resource
poem
Andre Breton
body image
Surrealism
Wide Sargasso Sea
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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534
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<a title="Pere Ubu" href="http://www.metmuseum.org/Collections/search-the-collections/286239" target="_blank">Pere Ubu</a>
Subject
The topic of the resource
Photograph by Dora Maar
Description
An account of the resource
"The Surrealist artist Dora Maar is better known as Picasso's dark-haired model and companion in the late 1930s than for her astonishing works. Her incarnation of the bestial nature of man is titled after the infamous and absurd dictatorial antihero of Alfred Jarry's play Ubu Roi (1896). Maar's imaginative evocation of the pear-shaped, breast-plated Ubu in the monstrous reality of a baby armadillo is one of the most compelling and repellent of Surrealist photographs." - From image website
Creator
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Dora Maar
Source
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The Metropolitan Museum of Art
Date
A point or period of time associated with an event in the lifecycle of the resource
1936
Rights
Information about rights held in and over the resource
© 2011 Artists Rights Society (ARS), New York
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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3
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IPTC Array
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IPTC String
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object_name:
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city:
state:
country:
original_transmission_reference:
category:
copyright_notice:This image is copyrighted. For further information please read Rights Usage Terms.
Width
624
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Oil on board
Physical Dimensions
The actual physical size of the original image.
46 x 61 cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Night Work is about to Commence by Emmy Bridgwater
Description
An account of the resource
Painting by British, female surrealist Emmy Bridgwater
Creator
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Emmy Bridgwater
Source
A related resource from which the described resource is derived
<a title="Birmingham Museums Trust" href="http://www.bbc.co.uk/arts/yourpaintings/paintings/night-work-is-about-to-commence-34084" target="_blank">Birmingham Museums Trust</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
1940–1943
Rights
Information about rights held in and over the resource
© the artist's estate
Format
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Oil on board, 46 x 61 cm
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50bd58e4b7210dce2902da7423605c42
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>A Nice Family </em>
Description
An account of the resource
Poem
Creator
An entity primarily responsible for making the resource
Gisele Prassinos
Source
A related resource from which the described resource is derived
Paris Review
Date
A point or period of time associated with an event in the lifecycle of the resource
1977
Contributor
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Ellen Nations, translator
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Sound
A resource whose content is primarily intended to be rendered as audio.
Transcription
Any written text transcribed from a sound.
LESSONS OF THE WAR
To Alan Michell
Vixi duellis nuper idoneus
Et militavi non sine gloria
I. NAMING OF PARTS
To-day we have naming of parts. Yesterday,
We had daily cleaning. And to-morrow morning,
We shall have what to do after firing. But to-day,
To-day we have naming of parts. Japonica
Glistens like coral in all of the neighboring gardens,
And to-day we have naming of parts.
This is the lower sling swivel. And this
Is the upper sling swivel, whose use you will see,
When you are given your slings. And this is the piling swivel,
Which in your case you have not got. The branches
Hold in the gardens their silent, eloquent gestures,
Which in our case we have not got.
This is the safety-catch, which is always released
With an easy flick of the thumb. And please do not let me
See anyone using his finger. You can do it quite easy
If you have any strength in your thumb. The blossoms
Are fragile and motionless, never letting anyone see
Any of them using their finger.
And this you can see is the bolt. The purpose of this
Is to open the breech, as you see. We can slide it
Rapidly backwards and forwards: we call this
Easing the spring. And rapidly backwards and forwards
The early bees are assaulting and fumbling the flowers:
They call it easing the Spring.
They call it easing the Spring: it is perfectly easy
If you have any strength in your thumb: like the bolt,
And the breech, and the cocking-piece, and the point of balance,
Which in our case we have not got; and the almond-blossom
Silent in all of the gardens and the bees going backwards and forwards,
For to-day we have naming of parts.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
printed poem, then read aloud
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2 minutes
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lessons of War: <a title="Naming of Parts" href="http://www.solearabiantree.net/namingofparts/namingofparts.html" target="_blank">Naming of Parts</a>
Subject
The topic of the resource
War, specifically World War II, mixed with the feelings of being a young man.
Description
An account of the resource
<p>Henry Reed is a poet with whom the Birmingham Surrealists associated. He's best known for the series he wrote <em>Lessons of War</em>, but most specifically for Part 1: "Naming of Parts." "Naming of Parts" is an excellent link between surrealism as an art movement and the topic of war that was so prevelant in Europe during the first half of the 20th century. Although "Naming of Parts" is about WWII, I saw a connection between this poem and Rebecca West's <em>Return of the Soldier</em> because of the routine it implied. The women in West's novel live routine lives while they wait for their soldier to return, just as this soldier learns to use his weapon. </p>
<p>Part of what allows this poem to fit into the idea of surrealism is that it sounds like a villanelle, but that format is actually much stricter than the one that Reed's poem follows. Apart from form, this poem also echos some of the key thematic elements of the surrealist movement.</p>
Creator
An entity primarily responsible for making the resource
Henry Reed
Source
A related resource from which the described resource is derived
http://www.solearabiantree.net/namingofparts/namingofparts.html
Publisher
An entity responsible for making the resource available
This poem can be found in Reed's <em>Collected Poems,</em> which was published most recently in 1991 by Jon Stallworthy,<em> </em>but for the purposes of this project, the publisher is www.solearabiantree.net.
Date
A point or period of time associated with an event in the lifecycle of the resource
May 2013
Format
The file format, physical medium, or dimensions of the resource
web document, audio recording
Language
A language of the resource
English
Henry Reed
Poetry
Surrealism
WWII
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7bb3c47e83ad7b52625eb3c4e86e503c
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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3
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cover Illustration for Harper's Bazaar by Leonor Fini
Description
An account of the resource
Example of the collaboration between the surrealists and fashion More examples can be found in <a title="Vogue and Surrealism" href="http://www.vogue.it/en/people-are-talking-about/obsession-of-the-day/2012/02/surrealism-steven-meisel#ad-image160403" target="_blank">this article by Vogue.</a>
Creator
An entity primarily responsible for making the resource
Leonor Fini
Source
A related resource from which the described resource is derived
Haper's Bazaar
Date
A point or period of time associated with an event in the lifecycle of the resource
1947
-
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1d1e1d3614117e4bf16f55c70c2b011f
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
1
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3
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633
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440
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
What a wonderland
Subject
The topic of the resource
A connection to Jean Rhys
Description
An account of the resource
Not only her story but also her life, Jena Rhys never found her way out of the rabbit hole. Did she know she was living in the dream state of wonderland, a place where nothing makes sense?
It seems someone read Rhys Carroll's book at a young age and she never grew out of it.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
What a Wonderland
Description
An account of the resource
Drawing a connection to Lewis Carroll's novel Alice's Adventures in Wonderland and Jean Rhys' Novel Wide Sargasso Sea
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Crystol May
Andrea Rivard
Website
A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).
Local URL
The URL of the local directory containing all assets of the website.
<a title="7 Adaptations of" href="http://www.buzzfeed.com/louispeitzman/adaptations-of-alices-adventures-in-wonderland">Buzz feed entertainment </a>
<a title="Lewis Carroll's novel" href="http://www.literature.org/authors/carroll-lewis/alices-adventures-in-wonderland/"><em>Alices Adventuers in Wonderland</em> </a>Project Gutenberg
<a title="a life like alices" href="http://www.independent.co.uk/arts-entertainment/books/features/jean-rhys-prostitution-alcoholism-and-the-mad-woman-in-the-attic-1676252.html">Jean Rhys: Prostitution, alcoholism and the mad woman in the attic</a>
<a title="I'd rather be happy than Right" href="http://www.youtube.com/watch?v=UN_6xJJNphY">Jean Rhys Interview</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Is there a connection?
Subject
The topic of the resource
<p>Lewis Carroll's <em>Alice's Adventures in wonderland</em> was a work that might have eaisly slipped into the cultural movement of surrealism if not way ahead of his time. The dream state created, to reflect the political times, fits the understanding of what the cultural movement was about. Carroll's imaginary land could not be viewed for it's importance in its time because of the political environment. It would have been a hit during the Surrealist cultural movement because Carroll would have been allowed to present this idea with a different understanding.</p>
<p>Jean Rhys has also created a work that falls after the the Surrealist movement. <em>Wide Sargasso Sea </em>hold many of the same characteristics of Carroll's childrens novel. When placing the novels story line into a side by side viewing many similarities can be detected in the use of colors, the characters constant feeling of being in a dream state, the reflective nature of the political turmoil and social roles of individuals with in the story. </p>
Description
An account of the resource
"17 Adaptations Of "Alice’s Adventures In Wonderland" Through The Years" is a reflective view of the many ways that Lewis Carroll's original novel has been adapted to film and movies over the last
Creator
An entity primarily responsible for making the resource
Louis Peitzman
Source
A related resource from which the described resource is derived
<a title="17 Adaptation of Alice's Adventures in wonderland" href="http://www.buzzfeed.com/louispeitzman/adaptations-of-alices-adventures-in-wonderland">Buzz Feed Entertainment</a>
Publisher
An entity responsible for making the resource available
Buzz Feed Entertainment
Date
A point or period of time associated with an event in the lifecycle of the resource
Posted October 10th, 2013
Contributor
An entity responsible for making contributions to the resource
<p>Buzz Feed</p>
<p>Gutenberg collection</p>
<p><em>The Independent</em></p>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
film
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
16 minutes
Producer
Name (or names) of the person who produced the video.
Luis Buñuel
Director
Name (or names) of the person who produced the video.
Luis Buñuel
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Un Chien Andalou (Andalusian Dog)
Subject
The topic of the resource
<a title="Un Chien Andalou" href="http://vimeo.com/18540575">Un Chien Andalou</a> (Andalusian Dog)
Description
An account of the resource
This is a film written by Salvador Dali, a Catalan surrealist. I'm not going to attempt to explain what is going on in the <a title="IMDB's interpretation" href="http://www.imdb.com/title/tt0020530/fullcredits?ref_=tt_ov_st_sm">film</a>, as surrealism is left open to interpretation intentionally. To continue the theme here, though, this film relates to many of the books we read in this class because of the way it looks at the inner workings of the self. Most specifically, we can put this film next to Jean Rhys's <em>Wide Sargasso Sea</em>. Rhys's project in writing <em>Wide Sargasso Sea</em> was to give voice to the crazy lady in the attic, which meant that we as readers got to watch the slow descent into insanity from inside her mind. However, we are still, by virture of being readers of an interpretation of a person's mind, on the outside. The same can be said for Dali's film. For all we know, Dali was showing a slow descent into insanity by following the inner workings of this man's mind, but we are on the outside, and therefore understand nothing of the sort. This item had to be included in this timeline of surrealism to show that the concept of surrealism did not change throughout the movement, and that the statement surrealists made through visual art can also be seen in novels and other writings.
Creator
An entity primarily responsible for making the resource
Luis Buñuel, Salvador Dali
Source
A related resource from which the described resource is derived
viveo.com
Publisher
An entity responsible for making the resource available
viveo.com
Date
A point or period of time associated with an event in the lifecycle of the resource
This film was originally released in 1929
Format
The file format, physical medium, or dimensions of the resource
film
Language
A language of the resource
silent, French
Type
The nature or genre of the resource
horror, surrealism, art
film
horror
Salvador Dali
Surrealism
Wide Sargasso Sea
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
Any textual data included in the document.
"Surrealism. For me it was the most beautiful dream that embodies the pinnacle of youth." -- Marcel Duchamp
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Quotation
Subject
The topic of the resource
Surrealism in the <a title="Duchamp quote" href="http://fantasticvisions.net/events/2011/02/17/surrealisme-national-art-centre-tokyo/">words of Duchamp</a>
Description
An account of the resource
I have chosen to include the words of Duchamp here because I believe that they reveal a truth about both surrealism and the works that are classified as such. There isn't a book we read in this class that didn't have something to do with the mind, and Duchamp makes surrealism a dream in itself, though it deals with that dream-like state. As a whole, all of these books deal with identity and how it is defined. It is important to have something that connects all of the pieces together as Duchamp's words do here.
Creator
An entity primarily responsible for making the resource
Marcel Duchamp
Source
A related resource from which the described resource is derived
Fantastic Visions
Language
A language of the resource
English
Marcel Duchamp
Surrealism
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add7cd06b6623d3660e1554bef21f90a
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
720
Width
950
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women and Surrealism
Description
An account of the resource
The voices of feminism in the surrealist movement
Contributor
An entity responsible for making contributions to the resource
Emma Fleming
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
1959 surrealist exposition
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<a title="Le Festin" href="http://www.andrebreton.fr/fr/item/?GCOI=56600100328930#" target="_blank">Photograph</a> of "Le Festin" or "Cannibal Feast" by Meret Oppenheim
Subject
The topic of the resource
"Le Festin" or "Cannibal Feast" by Meret Oppenheim
Description
An account of the resource
Oppenheim used a female model's nude body as a table to serve a meal at the 1959 International Surrealist Exposition.
Creator
An entity primarily responsible for making the resource
Meret Oppenheim
Source
A related resource from which the described resource is derived
[Expositions] 1959-1960, [E.R.O.S.] Exposition inteRnatiOnale du Surréalisme
Galerie Daniel Cordier
Date
A point or period of time associated with an event in the lifecycle of the resource
1959-1960
Contributor
An entity responsible for making contributions to the resource
William Klein, photographer
Rights
Information about rights held in and over the resource
© William Klein, SAIF, 2005.
Format
The file format, physical medium, or dimensions of the resource
30,5 x 40 cm (12 x 15 3/4 in.) - Tirage argentique sur papier