1 10 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Making Connections Description An account of the resource This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry. Contributor An entity responsible for making contributions to the resource Andréa Rivard Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data film Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 16 minutes Producer Name (or names) of the person who produced the video. Luis Buñuel Director Name (or names) of the person who produced the video. Luis Buñuel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Un Chien Andalou (Andalusian Dog) Subject The topic of the resource <a title="Un Chien Andalou" href="http://vimeo.com/18540575">Un Chien Andalou</a> (Andalusian Dog) Description An account of the resource This is a film written by Salvador Dali, a Catalan surrealist. I'm not going to attempt to explain what is going on in the <a title="IMDB's interpretation" href="http://www.imdb.com/title/tt0020530/fullcredits?ref_=tt_ov_st_sm">film</a>, as surrealism is left open to interpretation intentionally. To continue the theme here, though, this film relates to many of the books we read in this class because of the way it looks at the inner workings of the self. Most specifically, we can put this film next to Jean Rhys's <em>Wide Sargasso Sea</em>. Rhys's project in writing <em>Wide Sargasso Sea</em> was to give voice to the crazy lady in the attic, which meant that we as readers got to watch the slow descent into insanity from inside her mind. However, we are still, by virture of being readers of an interpretation of a person's mind, on the outside. The same can be said for Dali's film. For all we know, Dali was showing a slow descent into insanity by following the inner workings of this man's mind, but we are on the outside, and therefore understand nothing of the sort. This item had to be included in this timeline of surrealism to show that the concept of surrealism did not change throughout the movement, and that the statement surrealists made through visual art can also be seen in novels and other writings. Creator An entity primarily responsible for making the resource Luis Buñuel, Salvador Dali Source A related resource from which the described resource is derived viveo.com Publisher An entity responsible for making the resource available viveo.com Date A point or period of time associated with an event in the lifecycle of the resource This film was originally released in 1929 Format The file format, physical medium, or dimensions of the resource film Language A language of the resource silent, French Type The nature or genre of the resource horror, surrealism, art film horror Salvador Dali Surrealism Wide Sargasso Sea