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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Making Connections
Description
An account of the resource
This collection links what would be considered "art" with the novels we read in this class. Some of the "art" includes paintings, film, and poetry.
Contributor
An entity responsible for making contributions to the resource
Andréa Rivard
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
film
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
16 minutes
Producer
Name (or names) of the person who produced the video.
Luis Buñuel
Director
Name (or names) of the person who produced the video.
Luis Buñuel
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Un Chien Andalou (Andalusian Dog)
Subject
The topic of the resource
<a title="Un Chien Andalou" href="http://vimeo.com/18540575">Un Chien Andalou</a> (Andalusian Dog)
Description
An account of the resource
This is a film written by Salvador Dali, a Catalan surrealist. I'm not going to attempt to explain what is going on in the <a title="IMDB's interpretation" href="http://www.imdb.com/title/tt0020530/fullcredits?ref_=tt_ov_st_sm">film</a>, as surrealism is left open to interpretation intentionally. To continue the theme here, though, this film relates to many of the books we read in this class because of the way it looks at the inner workings of the self. Most specifically, we can put this film next to Jean Rhys's <em>Wide Sargasso Sea</em>. Rhys's project in writing <em>Wide Sargasso Sea</em> was to give voice to the crazy lady in the attic, which meant that we as readers got to watch the slow descent into insanity from inside her mind. However, we are still, by virture of being readers of an interpretation of a person's mind, on the outside. The same can be said for Dali's film. For all we know, Dali was showing a slow descent into insanity by following the inner workings of this man's mind, but we are on the outside, and therefore understand nothing of the sort. This item had to be included in this timeline of surrealism to show that the concept of surrealism did not change throughout the movement, and that the statement surrealists made through visual art can also be seen in novels and other writings.
Creator
An entity primarily responsible for making the resource
Luis Buñuel, Salvador Dali
Source
A related resource from which the described resource is derived
viveo.com
Publisher
An entity responsible for making the resource available
viveo.com
Date
A point or period of time associated with an event in the lifecycle of the resource
This film was originally released in 1929
Format
The file format, physical medium, or dimensions of the resource
film
Language
A language of the resource
silent, French
Type
The nature or genre of the resource
horror, surrealism, art
film
horror
Salvador Dali
Surrealism
Wide Sargasso Sea